We
got to Sharona’s club at around eight last night. We grabbed a drink and took a
seat at one of the tables below the stage. There was a three piece jazz outfit
on stage, a singer, pianist and bassist. I felt like a man in a film, waiting
for something important to happen. And it did. Sharona came on stage next and
blew us all away. She sang with one guy on the piano as accompaniment. Her
voice was serene and the moments during which I watched her were sublime,
echoing forward into ever extending memories of my future self. In
the middle of one song she suddenly fixed her eyes directly on mine and sang
two lines straight at me. It was all I could do to resist the temptation to
look behind me for the man she must’ve been singing at. After
the show she disappeared backstage and I bought another drink. “She’s
not bad then, eh?” Ed said. “You’re
joking! Not bad?” “Haha, I’m pulling your leg mate. You should’ve seen your
face, jaw dropped and all.” At this point Sharona came out to
see us. She appeared behind me unexpectedly and hugged me to her. She was still
wearing her performance dress. It was so different to anything I’d seen her in
so far. It was emerald green, long and sleek, bringing out the green in her
eyes and set in attractive contrast with her black hair and dark skin. “I’m
so glad you came!” she said. She was vivid and vivacious, full of the nervous
energy of performance. “You
were amazing,” I said, barely audible for my own awkward nerves. “Thank
you,” she said, with genuine humility, casting her eyes downward momentarily. “I
want you both to meet my friend
Miranda.” The
four of us talked about this and that for a short while and then Sharona broke
the conversation by suggesting we move elsewhere. “But
first I have to go change. Tom, would you come backstage with me?” “Er… I’m not sure,” I replied. “I should really stay here
with Ed. Surely I’m not really allowed backstage?” Ed
kicked me hard in the shin. “Ow!” I said. Sharona laughed. “On second thoughts then…” I
glared at Ed. Backstage
turned out to be an extremely messy small room. Sharona went behind a screen to
change. She was asking me about the show and I was answering mechanically. I
was too occupied by the flickering shadows projecting against the wall. The
rest of the time I was fighting the urge to ask ‘Why?’ She
came back around the screen, wearing ripped jeans and an open black short
sleeved shirt. “Let’s
go down to the river,” she suggested. “What
about the others?” “They’ll
be fine.” She smiled and took my hand. “Come on!” We
walked down to the river and enjoyed the still warm evening. There was just
enough alcohol in my blood to heighten night-time romantic reflection and I breathed
the air with contentment, my troubles briefly lost like the facts of life in a
cinema. Sharona sang lightly to herself, the soundtrack to my madness. On
the bank of the river I asked her about her singing and she played shy. She
told me she was tired of being treated one way or another for what she did. I
pointed out that she’d invited me to watch her, but I dropped it. A
warm breeze floated in from the swamps, bringing an intoxicating air. I looked
across at Sharona and saw the air brush her face with drifting curls and slow
currents. I longed to follow it with the lightest touch of the back of my hand.
I knew I could fall in love right there and then. I’d only known her for what? 48 hours maybe? It was all too pre-destined, doomed. I
didn’t want to start it. Sharona
started telling me a vampire story, oblivious. It was about the docks, and she
told it masterfully. I listened intently, my grip on reality sliding minute by
minute. “You
almost seem to sympathise with the vampire,” I said, when she was done. She
smiled wanly and looked out into the river. I looked away. “What’s
the matter?” she asked. “Nothing. It’s just…” “Yes?”
“I…
don’t want to have a mere taste of you knowing I can never have it all. You’re
sweet poison, the apple of temptation. Pain follows these things.” She
leant across and kissed me before I could think of stopping her. She ran her
hands through my hair, then about my neck and over my chest, forcing me back
onto the ground where we sat. I was utterly dominated, destroyed, submitting to
her passion willingly blinded and finally, released into spectacular and
euphoric oblivion. “Screw
the Garden of Eden, Tom,” she said, letting me go for a moment. “God didn’t
make man for paradise. Follow the lust in your blood, the vampire in your
veins. Come, Tom.” And
she took me by the hand and led me back to her house. We went straight to her
bed and fell on top of one another. We lay there kissing and gazing into one
another’s eyes. All my awkwardness was gone. We were acting as one. We didn’t
make love, but expressed our passion with caress and serpentine embrace until,
after hours, we drifted away. * I
woke this morning filled with immediate, if uncertain, joy. By the light of day
I saw Sharona’s room: a bizarre con-fusion of gothic and vintage, decadent in
either case. Sharona herself continued to sleep by my side, black hair trailing
back across the pillow and onto my cheek, one arm across my chest. I felt I
could die right there, without one regret. Part
of me still thought it all ridiculous, but the other part was filled with sense
of strange and sure confidence. The Rules of Life say this kind of thing
couldn’t happen, but there I was. I’ve never felt more thoroughly distant from
reality in the stark light of morning. I looked across at her again and
couldn’t make it fit. I got up quietly and left her there. Outside
the sun shone warmly on my skin and I could barely move for running or speak
for shouting. Strangers turned their heads to watch my grin walk past them. I
wanted to stop them right there and tell them all about it. My head was
spinning. I broke into a run and sprinted straight through a park without
slowing down. It seemed as though I had no more physical limitation, I could
run forever. I
flashed past a café on the other side and suddenly stopped. I returned to it
and bought a continental breakfast to take away. A
short while later I walked back through Sharona’s door as though it were the
most natural thing. She took the brown paper bag out of my hands and looked me
up and down. “Thanks
for this,” she said, and smiled, apparently unconcerned over my disappearance.
“You’re sweating,” she said, and pressed a finger into neck. She ran it down to
my chest pressing hard into my flesh. I couldn’t breathe for the tension. “Why
don’t you go have a shower?” So
I did, but I was barely in there thirty seconds before she joined me. She came
from behind and ran her hands over my chest again. It was too much. I wanted to
wait but this was too much. I turned and lifted her right off her feet, putting
her against the wall of the shower. I fucked her right there, releasing every
bit of tension and restraint within me. It was the best fuck of my life. Water
ran down her black hair and over her breasts as she wrapped her legs around my
waist, drawing me further into her. She was divine. * “So,
you looked like you were packing to leave yesterday Tom,” she said to me later,
over breakfast. “Yes,
I was.” She
looked across at me and paused, hesitantly. “Is
that why you’re doing all this Sharona, safe in the knowledge that I was
leaving?” “I
never said ‘don’t go.’” she replied, looking away. “So,
in a minute, you’re gone, I get nothing, and you’re off with barely a sigh.” “Don’t
go.” They
were lines. But more than lines, they were lyrics. It’s from a song called This
Ruined Puzzle, by Dashboard Confessional. It was contemporary Shakespeare and
it connected us on another level. It was beautiful and we needed nothing more. We
simply smiled at one another. Eventually
I put down my cup and walked around to her. I leant down to where she sat and kissed
her, ever so gently, full on the mouth. I made to leave but she stopped me. She
handed me a book. “I’ve
hidden a note, it’s pressed between pages that I’ve marked to find my way back.
It says, ‘does he ever get the girl?’” “But
what if the pages stay pressed, the story too dull to unfold?” “Don’t
go.” “I
won’t.” I said, smiled, and left. She knew what I meant. * Back
at the hostel this afternoon I met up with Ed. “I’ve
changed my mind about everything, Ed,” I said, “we’re
not going anywhere. I’m in love.” “Me too, mate.” I
started, then remembered the other girl from last night and laughed. I doubt
very much he meant it as I did, but mostly I was just glad he didn’t want to
go. This
evening I opened Sharona’s book, Labyrinths by Borges. The note she’d hidden
was on the first page of a story called The Circular Ruins. The story started
with a quote from Alice Through the Looking Glass: “And if he ever let off dreaming about you…”
Sharona’s note read ‘Don’t ever let off dreaming Tom.’ At
the bottom of the note she’d scribbled a phone number.
Wednesday, May 7, 2008
Don't Ever Let Off Dreaming About Her...
Posted by
Tom Evans
at
23:17
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Labels: adventure, CatchUp, Ed, love, lyrics, Sharona, temptation
Saturday, January 19, 2008
Lyrics
This post
is provided for all those of you interested in the songs featured in this blog
and the lyrics to them. You can see the inspiration for some of my adventures.
Of course, some of the adventures are inspired simply by the title, or even the
artist! Here are
the various adventures (the lyrics are lower down): Hit
Me Baby One More Time – Britney Spears Deeper
Underground - Jamiroquai I
Wish I Was a Punk Rocker – Sandi Thom Hit Me Baby One More Time – Britney Spears Big Girls Don’t Cry – Fergie La Da Da Da Da Mr Bassman – Johnny
Cymbal Deeper Underground – Jamiroquai Ooow! S Club Party – S Club 7 S Club I Wish I Was a Punk Rocker – Sandi Thom No Phone – CakeOh baby, babyHow was I supposed to knowThat something wasn't right hereOh baby, babyI shouldn't have let you goAnd now you're out of sight, yeahShow me how want it to beTell me baby 'cause I need to know now, oh becauseChorus:My loneliness is killing meI must confess I still believeWhen I'm not with you I lose my mindGive me a signHit me baby one more timeOh baby, babyThe reason I breathe is youBoy you got me blindedOh pretty babyThere's nothing that I wouldn't doIt's not the way I planned itShow me how you want it to beTell me baby 'cause I need to know now, oh becauseChorus:My loneliness is killing meI must confess I still believeWhen I'm not with you I lose my mindGive me a signHit me baby one more timeOh baby, baby how was I supposed to knowOh pretty baby, I shouldn't have let you goI must confess, that my loneliness is killing me nowDon't you know I still believeThat you will be hereAnd give me a signHit me baby one more timeChorus:My loneliness is killing meI must confess I still believeWhen I'm not with you I lose my mindGive me a signHit me baby one more time
The smell of your skin lingers on me now
You're probably on your flight back to your home town
I need some shelter of my own protection baby
To be with myself and Center, Clarity
Peace, Serenity
[CHORUS:]
I hope you know, I hope you know
That this has nothing to do with you
It's personal, myself and I
We've got some straightening out to do
And I'm gonna miss you like a child misses their blanket
But I've got to get a move on with my life
It's time to be a big girl now
And big girls don't cry
Don't cry
Don't cry
Don't cry
The path that I'm walking
I must go alone
I must take the baby steps 'til I'm full grown, full grown
Fairytales don't always have a happy ending, do they?
And I foresee the dark ahead if I stay
[CHORUS:]
I hope you know, I hope you know
That this has nothing to do with you
It's personal, myself and I
We've got some straightening out to do
[Big Girls Don't Cry lyrics on http://www.metrolyrics.com]
And I'm gonna miss you like a child misses their blanket
But I've got to get a move on with my life
It's time to be a big girl now
And big girls don't cry
Like the little school mate in the school yard
We'll play jacks and UNO cards
I'll be your best friend and you'll be mine Valentine
Yes you can hold my hand if you want to
'Cause I want to hold yours too
We'll be playmates and lovers and share our secret worlds
But it's time for me to go home
It's getting late, dark outside
I need to be with myself and Center, Clarity
Peace, Serenity
[CHORUS]
I hope you know, I hope you know
That this has nothing to do with you
It's personal, myself and I
We've got some straightening out to do
And I'm gonna miss you like a child misses their blanket
But I've got to get a move on with my life
It's time to be a big girl now
And big girls don't cry
Don't cry
Don't cry
Don't cry
La Da Da Da Da Da![]()
Mr. Bass Man, you've got that certain somethin'Mr. Bass Man, you set the music thumpin'To you it's easy when you go
b-b-b-b-ba-ba-ba (b-ba-b-b-b-b-b-ba-ba)
Yeah! Mr. Bass Man, you're on all the songsWith the d-d-boom-boom, and the dit-dit-boom-boom-boomHey Mr. Bass Man, you're the hidden King of Rock 'n' Roll,b-b-b-b-ba-ba-ba (b-ba-b-b-b-b-b-ba-ba)
Owww, it don't mean a thing when the lead is singin'
Or when he goes "Hi-yi-yi-yi-yi-yah"Hey Mr. Bass Man, I'm askin' just one thing:Will you teach me? Yeah, will you sing?'Cause Mr. Bass Man, I wanna be a bass man too,b-b-b-b-ba-ba-ba (b-ba-b-b-b-b-b-ba-ba)
Yeah, you know they're gonna bring it down now
They're gonna wreck it down, yeah
Something's come to rock me and I can't keep my head
I've never seen the New York city streets when my leg'ers
still treads
I know I'm still better off standin' in the shadows
far from
humans with guns
But now, it's too late, there's no escape from what they have done, come on
I'm goin' deeper underground
There's too much panic in this town
I'm goin' deeper underground
There's too much panic in this town
I'm goin' deeper underground
Well, I got to go deeper
Got to go much deeper yeah
Ah, yeah, they're gonna wreck it down, yeah
Step dooooo, down, d-down, d-d-down, hey, hey
Yeah, we gotta bring it down yeah
Some people with a pocket full of money and an eye full of hate
Take your pleasure with destruction of of everything
that they try to create
Somebody tell me why this own mankind only tip of them touch
Heaven, help them when they bite off more
than they can chew and now, it's too much
I'm goin' deeper underground, hey, ah
There's too much panic in this town
I'm goin' deeper underground
There's too much panic in this town
I'm goin' deeper underground
There's too much panic in this town
I'm goin', I'm goin', I'm goin' deeper underground
I'm goin', I'm goin', I'm goin' deeper underground
I'm goin', I'm goin', I'm goin' deeper underground
I'm goin', I'm goin', I'm goin' deeper underground
Something's come to rock me and I can't keep my head
I've never seen the New York city streets when my leg'ers
still treads
I know I'm still better off standin' in the shadows
far from humans with guns
But now, it's too late, there's no escape from what they have done
I'm goin' deeper underground
There's too much panic in this town
I'm goin' deeper underground
I'm goin' deeper underground
(I'm goin', I'm goin', I'm goin', I'm goin', I'm goin', I'm goin')
I'm goin' deeper underground
(I'm goin', I'm goin', I'm goin', I'm goin', I'm goin', I'm goin')
I'm goin' deeper underground
(I'm goin', I'm goin', I'm goin', I'm goin', I'm goin', I'm goin', got to go, got
to deeper)
Deeper, deeper, yeah
I'm goin' deeper underground
(I'm goin', I'm goin', I'm goin', I'm goin', I'm goin', I'm goin', got to go
deeper)
I'm goin' deeper underground
(I'm goin', I'm goin', I'm goin', I'm goin', I'm goin',
I'm goin', deeper, gotta
get down now, they're gonna bring it down, yeah)
I'm goin' deeper underground
(I'm goin', I'm goin', I'm goin', I'm goin', I'm goin', I'm goin', they're gonna bring it down now)
I'm goin' deeper underground...
Gettin' down tonight, a come on, yeah
Gettin' down tonight, uh huh, everybody
Get down tonight
S Club (there ain't no party like an S Club party)
Gonna show you how (everybody get down tonight)
S Club (there ain't no party like an S Club party)
Gonna take you high (shake your body from side to
side)
Finally Friday night
Feelin' kinda good, lookin' alright
Gotta get movin', can't be
late
Gotta get groovin', just
can't wait (ho!)
Get the feeling (get the feeling)
Push the ceiling (push the ceiling)
Player hater (player hater)
Get ready everybody 'cos here we go!
S Club (there ain't no party like an S Club party)
Gonna show you how (everybody get down tonight)
S Club (there ain't no party like an S Club party)
Gonna take you high (shake your body from side to
side)
O-oh O-oh! Throw your hands in the air
O-oh O-oh! Like you just don't care
O-oh O-oh! There's a party over here
O-oh O-oh! There's a party over there
Tina's doing her dance
Jon's looking for romance
Paul's getting down on the floor
While Hannah's screaming out for more (ooh hoo!)
Wanna see Bradley swing
Wanna see Rachel do her
thing
Then we got Jo, she's got the flow
Get ready everybody 'cos here we go!
S Club (there ain't no party like an S Club party)
Gonna show you how (everybody get down tonight)
S Club (there ain't no party like an S Club party)
Gonna take you high (shake your body from side to
side)
O-oh O-oh! Throw your hands in the air
O-oh O-oh! Like you just don't care
O-oh O-oh! There's a party over here
O-oh O-oh! There's a party over there
O-oh O-oh! Throw your hands in the air
O-oh O-oh! Like you just don't care
O-oh O-oh! There's a party over here
O-oh O-oh! There's a party over there
Ghetto boys, make some noise!
Hoochie mamas, show your nanas!
S Club (there ain't no party like an S Club party)
Gonna show you how (everybody get down tonight)
S Club (there ain't no party like an S Club party)
Gonna show you how (everybody get down tonight)
S Club (there ain't no party like an S Club party)
Gonna take you high (shake your body from side to
side)
Oh I wish I was a punk rocker with flowers in my hair
In '77 and '69 revolution was in the air
I was born too late into a world that doesn't care
Oh I wish I was a punk rocker with flowers in my hair
When the head of state didn't play guitar
Not everybody drove a car
When music really mattered and when radio was king
When accountants didn't have control
And the media couldn't buy your soul
And computers were still scary and we didn't know everything
[Chorus]
When pop stars still remained a myth
And ignorance could still be bliss
And when god saved the queen she turned a whiter shade of pale
My mom and dad were in their teens
And anarchy was still a dream
And the only way to stay in touch was a letter in the mail
[Chorus]
When record shops were still on top
And vinyl was all that they stocked
And the super info highway was still drifting out in space
Kids were wearing hand me downs
And playing games meant kick arounds
And footballers still had long hair and dirt across their face
[Chorus]
I was born too late into a world that doesn't care
Oh I wish I was a punk rocker with flowers in my hairNo phone No phone I just want to be alone todayNo phone no phoneRinging stingingJerking like a nervous birdRattling up against his cageCalls to me thoughout the daySee the feathers flyNo phone No phone I just want to be alone todayNo phone No phoneNo phone no phone I just want to be alone todayRhyming chiming got me working all the timeGives me such a worried mindNow I don't want to seem unkindBut god (it's such a crime)No phone No phone I just want to be alone todayNo phone no phoneNo phone No phone I just want to be alone todayNo phone no phoneShaking quakingWaking me when I'm asleepNever lets me go too deepSummons me with just one beepThe price we pay is steepI've been on fireAnd yet I've still stayed frozenSo deep in the nightMy smooth contemplations will always be brokenMy deepest concerns will stay buried and unspokenNo I don't have any change but here's a few subway tokensNo phone No phone I just want to be alone todayNo phone No phoneNo phone no phone I just want to be alone todayNo phone no phoneNo phone No phone I just want to be alone todayNo phone No phone
Posted by
Tom Evans
at
20:02
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